Magasin III Jaffa Books series of meetings with artists will host the artist Alejandra Okret to launch her new artist book “Illuminaries-Cats”, part of a series of artist books titled “Illuminaries”, which Okret started in 2021. The series is comprised of one of a kind handmade artist books, however Okret created a special printed version for the launch at Magasin III Jaffa Books.

Okret’s series of artist books, Illuminaries, is a continuation of a series of works called Trisim or The White Line. In 2020, during the world pandemic, in a time of fear and uncertainty, Okret wished to bring light into the world.  The book is drawn only with the white color (ink, acrylic and pigment) on tracing paper, in a wish to brighten a dark time. The story develops without words, so the viewers can tell their own story. Each book has its own box, making it a precious object that can be taken out to contemplate in a special moment. 

Magasin III Jaffa Books series of meetings with artists will host the artist Dana Yoeli for the opening of her new display at the vitrine – Through a Glass Darkly.
The opening event will take place on Thursday, October 27th, at 7pm-10pm.

Although a quick glance at Dana Yoeli’s work, Through a Glass Darkly, is enough to realize that it is an imaginary theatrical scene, perhaps a scale model or a trick of another kind that combines these two, the eye still wanders, seeking for a structure, looking to establish a certain logic. The gaze scans the objects in a desperate attempt to connect shreds of ruins from the Parthenon, resting upon Doric and Corinthian order columns, backgrounded by a brutalist concrete wall in a modern architectural style. The horror emerges when among to the ruins, the viewer discovers several life-sized fingers as well as a classical sculpture of a nose, next to a miniature replica of the Elgin horse, that same horse that is named not after its creator but rather after Lord Elgin, who tore it from its origin in the Parthenon, and led it into the collection of the British Museum.

Into a 130 square cm space, with a title made of three-words, Yoeli manages to engage in a array of cultural references dated in different periods and disciplines, from theater and cinema through visual arts and architecture, and at the same time pull those out of the context in which we are used to seeing them. When Bergman’s film shares a stage with the ruins of Greek temples and a finger pointing at the horrific damages of colonialism, Yoeli forces us to confront questions regarding the identity of the forces that control the narratives told through these cultural assets. Yoeli signs the work with the words “to err is human”, and what could have been a consolation can also be read as an accusation.

Artist Lucia Pizzani (b. 1975 in Caracas, Venezuela) creates a new performance work for one night only at Magasin III Museum for Contemporary Art. Inspired by and responding to the works in the museum’s ongoing exhibition, Solar Mountains & Broken Hearts by Maya Attoun, the newly conceived performance joins sculptural, sound, and performative elements into one hybrid work for a live audience.

Titled Lava, Lucia Pizzani’s new performance work takes as its starting point the volcanic eruption of Mount Tambora in 1815, the crucial inspiration even behind Attoun’s body of work. Relating to ideas of rebirth, transformation, and regeneration, Lava draws from black sand and movement, referencing the fertile soil resulting from a volcanic eruption and incorporates Pizzani’s series of ceramic Cuaima sculptures. Working furthermore with recordings from the Venezuelan sound archive Archivo Lares, Pizzani’s performance sets her own works and those of Maya Attoun in a shared continuum, while adopting the timing of Attoun’s video artwork Cry (Cybernetic Year) (2021).

Read an interview with Museum Director Tessa Praun about her thoughts on inviting artists to comment on other artistic practices here.


Performance: Lucia Pizzani

Watch a recording of the performance work.

Read more


Lucia Pizzani. Photo: Santiago De la Puente.

Hailing from Venezuela, Lucia Pizzani is a London-based artist whose expressive practice involves the body and self, always informed by materiality. One of Pizzani’s core concerns is the interrelationship between narratives of women in history and processes of metamorphosis in the natural world. She works across a variety of media, including photography, ceramics, videos, drawings, performance, and installations. Having worked as part of the environmental movement in Venezuela for many years, she has frequently incorporated ecological elements into her artwork. Her research and productions are often hybrid, syncretic and with no defined temporality, allowing the works to have multi-layered readings. Lava was conceived following an invitation by Magasin III Museum of Contemporary Art to the artist to artistically comment on and engage with key works in the Maya Attoun exhibition.

Ya’ara Keydar is a fashion historian and curator. Currently a doctoral student in the Cultural Studies Ph.D. program at Hebrew University, Keydar graduated from the Costume Studies M.A. program at NYU and holds a B.A. with honors in fashion design from Shenkar College. Her recent exhibition “Alber Elbaz: The Dream Factory,” opened in September 2022 at Design Museum Holon. Previously, Keydar curated the museum’s exhibitions “The Ball: Fashion & Escapism,” (2021), which became the museum’s most successful exhibition to date; “New York Fashion Rediscovered,” at ZAZ10TS Gallery in NYC (2020); and “Je t’aime, Ronit Elkabetz,” at Design Museum Holon (2018). Keydar was a guest speaker at The Jewish Museum in New York, JCC Manhattan, Bible Lands Museum in Jerusalem, among others. She interned at the Metropolitan Museum of Art’s Costume Institute, as well as the Museum at FIT.

Sahar Shalev is the owner of “Osef” – a store for men’s designer clothing by local designers, a cultural researcher and a journalist.

Jossef Krispel is an artist, painter and the head of the Department of Fine Arts at Bezalel Academy of Arts and Design, Jerusalem, where he has served as a senior lecturer since 2006. He holds both Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) degrees from Bezalel. In his work, Krispel raises questions about the definition and the position of a painting in relation to the painted surface, and suggests seeing it as a mask, a screen, a shell, or a coating. He has been featured in many solo exhibitions in Israel and abroad and won numerous awards; among them the 2008 Rappaport Young Artist Prize and the 2012 Ministry of Culture Award. His paintings are found in many collections.

David Adika is a photographer, artist and the head of the Photography Department at Bezalel Academy of Arts and Design Jerusalem. A senior lecturer in the Department of Photography since 1999, he holds Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) degrees from Bezalel. David Adika’s work focuses on the visual and cultural facets of the local Middle Eastern space as a microcosm that reflects his social and family identity. His photographic corpus contains representations of various still life and portraits, blurring the boundaries between abstract conceptual language and lavish visual accuracy. Adika’s visual research explores intimate yet universal biographies, while the photographs unfold familiar and unfamiliar aspects of everyday life and highlight questions of taste and social status. Adika has had many solo exhibitions in Israeli and international venues and won many awards, including the Minister and the Emerging Artist Prizes from the Ministry of Culture and Sports, and the Jack Nailor Award for Photography. His photographs are included in many collections in Israel and abroad.

Magasin III Jaffa Books series of meetings with artists will host the artist Hila Lulu Lin Farah Kufer Birim with her new artist book- אוספ_עצמ(א)י_012_B

Photo: Yair Meyuhas.

Magasin III Jaffa Books series of meetings with artists will host the artist Ofer Dabush to launch his new artist book Cars and his new Calendar.

The book includes works that were photographed during the year 2021. The car became the main location for photographs, after years of traveling from Metula to Eilat where Dabush engaged in body and nature photography. From the driver’s seat – the mirrors in the car and the windows became like a camera.

The Calendar is Dabush’s latest project, which was shot around Tel Aviv, and is a unique contrast to the old school shiny and polished calendars. The dominant element in the photographs is the direct gaze of the subjects, which conveys confidence and self-awareness, a gaze that does not try to please the viewer. In addition, the photographed people are not from celebrity or model magazines. Usually, these are ordinary people, some are friends and some came through casting on Instagram.

A talk with David Adika, Michael Liani and Karmit Galili at David Adika’s exhibition, ‘Of David. A psalm’. The three will discuss the relationship between photography and identity and the way it is reflected in Adika’s and Liani’s body of work.

David Adika (1970) was born in Jerusalem. He lives and works in Tel Aviv-Yafo. Adika is a photographer, artist, and Head of the Photography Department at Bezalel Academy of Arts and Design Jerusalem. Adika’s work focuses on the visual and cultural facets of the local Middle Eastern space as a microcosm that reflects his social and family identity. His photographic corpus contains representations of various still life and portraits. His work has been exhibited in solo and group exhibitions in Israel and abroad.

Michael Liani (1987) was born in Migdal HaEmek. He lives and works in Tel Aviv-Yafo. Liani is a multidisciplinary artist, graduated with honors from Bezalel’s master’s degree in arts. Liani creates from a rich inner view, in his photographs and installations he strives to work with and from human behaviors. Liani’s works move on the axis between center and periphery, gender and media aesthetics. His work has been exhibited in solo and group exhibitions.

Karmit Galili Director and Curator of Magasin III Jaffa.

Magasin III Jaffa Books series of meetings with artists will host the artist Ran Slavin with his new artist book Shapeshifter.
The book is the first comprehensive publication documenting Slavin’s work. It includes immersive installations, films, photography, texts, soundscapes, and CGI multiverses that refer outside the boundaries of the book and to the digital world. With text contributions by Yiannis Toumazis, Aya Lurie, Tomasz Wendland, Gabi Scardi, Achim Szepanski, Massimo Causo, Merav Ktorza, Drorit Gur Arie, Avital Wexler, Svetlana Reingold, Hadassah Cohen, Adiya Porat, Naomi Aviv Milo, Alona Kimhi, Nili Goren, Avi Pitchon, Francesco Spaminato. 

Francesco Spaminato the book editor: “Active since the early 1990s, Slavin’s trans-media production encompasses films, immersive installations, photography, soundscapes, and CGI multiverses. A perfect example of what could be dubbed Israeli Futurism, Slavin’s tech-based output elicits a reflection on the conflictual dynamics at the basis of Israel and the ongoing metamorphosis of Jewish identity. The book offers an overview of the artist’s main projects to date through a visual flow that echoes the floating cinematic imagery and futuristic ethereal phantasies that make Slavin’s work so distinctive and mesmerizing. Drawing from cinema, videogames, and anime, Slavin’s art reminds us that the distinction between reality and dreaming, the material and immaterial, the visible and invisible has never been so blurred as in our post-pandemic times”. 

In the fall of 2022, two works by American conceptual artist Jill Magid are on view at Magasin III.

The new production Foreign Body Ingested (Portrait of My Son) is presented together with Auto Portrait Pending from 2005, as Magasin III invited Jill Magid to artistically comment on the exhibition of artist Chris Burden, Deluxe Photo Book 1971–73.

On October 13, Jill Magid gives a lecture at Magasin III.

Read an interview with Museum Director Tessa Praun about her thoughts on inviting artists to comment on other artistic practices here.


Lecture: Jill Magid

Watch a recording of the lecture.

Read more


Jill Magid. Photo: Paul McGeiver.

Jill Magid is an American artist, writer, and filmmaker. Her work interrogates structures of power on an intimate level, exploring the emotional, philosophical, and legal tensions that exist between institutions and individual agency. Solo exhibitions include The Renaissance Society, Chicago; Tate Modern, London; Dia Bridgehampton; Museo Universitario de Arte Contemporáneo, Mexico City; San Francisco Art Institute; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Tate Liverpool; and the Security and Intelligence Agency of the Netherlands. Her first feature-length film The Proposal (2018), commissioned by Field of Vision and distributed in the U.S. by Oscilloscope Laboratories, premiered at the Tribeca Film Festival and received numerous prestigious festival awards. Her work is included in the collections of the Centre Pompidou, Whitney Museum of American Art, Fundacion Jumex, and the Walker Art Center, among others. Magid is the recipient of a 2021 Guggenheim Fellowship, a 2021 VIA Art Fund Grant, 2020 Creative Time Artist Commission, and the 2017 Calder Prize.