A futures workshop led by Mushon Zer-Aviv, in the exhibition Looking Back at the Future.
Limited availability, please register – https://forms.gle/iXmCEHvwjTmxo5Pt5
*The workshop will last two and a half hours and will be held in Hebrew

In the shadow of the events of October 7th and the terrible war that followed, as the present overwhelms us with fear and uncertainty, we ask ourselves: How can we imagine a different future?   

On Friday, September 6th, at 11:00, a workshop will be held in the exhibition Looking Back at the Future at Magasin III Jaffa, the products of which will become a new multi-participant installation in the exhibition. During the workshop, we will learn speculative writing techniques, fictional design, and political imagination developed by Mushon Zer-Aviv and Shalev Moran as part of the Speculative Tourism project currently displayed in the exhibition. Together we will use these techniques, collect “screenshots from the future”, and see how these can change our choices and actions here and now. 

The workshop will focus on the future of Jaffa, through the eyes of those who live there today and those who may live there in the future. Jaffa is nearly 4000 years old – a city with rich history that includes a variety of religions, empires, and peoples of the Middle East. Up until today, Jaffa is home to different cultures, nationalities, hopes and struggles. 

The exhibition Looking Back at the Future examines our ability to imagine a future within a challenging reality. In the workshop, we will not look at life through rose-colored glasses, but rather think together how Jaffa might look different, with room for diverse futures. Even if you are afraid to look toward the future from this bleeding present, we invite you to think differently about the future of Jaffa and all of us. We will meet there, eager to face whatever comes. 


Mushon Zer-Aviv is a designer, writer, educator, and activist based in Tel Aviv. His work often involves mapping and way-finding through physical, digital, and political landscapes. These are also the themes he explores in his current research titled Friction and Flow – a design theory of change. Zer-Aviv is a board member of the Israeli/Palestinian movement A Land for All – Two States One Homeland. He is a senior faculty member at Shenkar College and an alumni of Eyebeam, an art and technology center in New York. 

Shalev Moran is a game designer and media artist based in Copenhagen. He holds a BA degree from Tel Aviv University’s Honors Program in the Humanities and Arts, and an MA degree from the Game Design program at the Royal Danish Academy. Moran was a curator for Print Screen Festival (2013 – 2019), and in 2021 joined the team of the Game Arts International Assembly. 

A serier of program in connection to painting professor Kristina Jansson’s student group Painting Lab.

Session 1
Theme: Color

Under the theme Color, the student group Painting Lab, led by Professor Kristina Jansson, has collaborated with Magasin III. 

Supervisor Royal Institute of Art: Kristina Jansson, Painting Professor
Supervisors Magasin III: Oliver Krug, Senior Registrar, Olga Krzeszowiec Malmsten, Curator, and Tessa Praun, Museum Director and Chief Curator

A serier of program in connection to painting professor Kristina Jansson’s student group Painting Lab.

Session 2
Theme: Body

Under the theme Body, the student group Painting Lab, led by Professor Kristina Jansson, has collaborated with Magasin III. 

Supervisor Royal Institute of Art: Kristina Jansson, Painting Professor
Supervisors Magasin III: Oliver Krug, Senior Registrar, and Tessa Praun, Museum Director and Chief Curator


Images

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

magasin3.com

Photo: Jean-Baptiste Béranger

September 1, 2021 marked the launching of the Royal Institute of Art’s new institution for artistic research and further education in Fine Art and architecture. A first step in the creation of a research environment at the Royal Institute of Art is the establishment of a higher seminar in artistic research, where researchers, postgraduates, teachers, students and invited guests address current issues that emerge out of  their artistic research processes. 

The first seminar was held at Magasin III. Johanna Gustafsson Fürst, Professor of Fine Art, specializing in Sculpture, called to a joint discussion, surrounding vulnerability and violence in the artistic process. Also contributing was author Mara Lee. 

Read more about the new institution here.

On October 12, 2022, American artist Jill Magid gave a tour of her exhibition Foreign Body Ingested to the students of Konstfack.

Supervisor Magasin III: Oliver Krug, Senior Registrar

In collaboration with painting lecturer Erik Jeor, Idun Lovén School of Arts. Full day with focus on the theme body and embodiment – subjects that are present in the group exhibition Skin of the Soul.

Supervisor Idun Lovén: Erik Jeor, Painting Lecturer
Supervisors Magasin III: Oliver Krug, Senior Registrar, and Olga Krzeszowiec Malmsten, Curator

A serier of program in connection to painting professor Kristina Jansson’s student group Painting Lab.

Session 3
Theme: Composition, Tools and Grammar

Under the theme Composition, Tools and Grammar, the student group Painting Lab, led by Professor Kristina Jansson, has collaborated with Magasin III. Based on these concepts, the students looked at the current exhibitions Pending by Sirous Namazi, the group exhibition Skin of the Soul, and A Glossary of Distance and Desire by Meriç Algün. 

Supervisor Royal Institute of Art: Kristina Jansson, Painting Professor
Supervisors Magasin III: Oliver Krug, Senior Registrar, Olga Krzeszowiec Malmsten, Curator, and Tessa Praun, Museum Director and Chief Curator

Collaboration with painting lecturer Martin Gustavsson, Konstfack. The collaboration began on October 4, 2023, with a visit to Magasin III to see Tal R’s painting Folk (2011) and concluded with an exhibition at Konstfack in December 2023.

Supervisor Konstfack: Martin Gustavsson, Painting Lecturer Supervisors Magasin III: Oliver Krug, Senior Registrar, Olga Krzeszowiec Malmsten, Curator, and Tessa Praun, Museum Director and Chief Curator

Project in collaboration with Beckmans College of Design focusing on the roles and interplay of art and communication at an art institution. Based on Sirous Namazi’s ongoing solo exhibition Pending, students in the Visual Communication course are assigned to develop and design a visual concept for an exhibition poster. The project began with a tour of the exhibition on December 6, 2023, and concluded with presentations on January 12, 2024.

Supervisors Beckmans College of Design: Sophia Wood, lecturer in Visual Communication, and Helena Hammarskiöld, external mentor, Institute for Future Studies
Supervisors Magasin III: Lisa Boström, Head of Communications, Oliver Krug, Senior Registrar, Olga Krzeszowiec Malmsten, Curator, and Tessa Praun, Museum Director and Chief Curator

In collaboration with painting lecturer Erik Jeor, Nyckelviksskolan. Full day with focus on the theme body and embodiment – subjects that are present in the group exhibition Skin of the Soul.

Supervisor Nyckelviksskolan: Erik Jeor, Painting Lecturer
Supervisors Magasin III: Oliver Krug, Senior Registrar, and Olga Krzeszowiec Malmsten, Curator