{"id":100364,"date":"2024-07-04T12:36:35","date_gmt":"2024-07-04T10:36:35","guid":{"rendered":"https:\/\/magasin3.com\/?page_id=100364"},"modified":"2024-11-26T14:50:06","modified_gmt":"2024-11-26T13:50:06","slug":"story-about-magasin-iii","status":"publish","type":"page","link":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/","title":{"rendered":"History of Magasin III"},"content":{"rendered":"\n

A brief history<\/h1>\n\n\n\n
\n
\n

In the summer of 1986, lying on a backyard lawn in Montauk, New York, David Neuman and Robert Weil discussed the excitement and energy of the Soho art scene. Great art created by great contemporary artists exhibited in dilapidated buildings consisting of former warehouses and factories. Could this be replicated, or even pushed towards a further manifestation in Stockholm, where a new audience would benefit from exposure to art that had never been shown in Sweden previously, in an environment that was far from their usual expectations? The challenge was set.<\/p>\n<\/div>\n\n\n\n

\n

Magasin III opened in Stockholm\u2019s former Free Port in 1988 with Five American Artists<\/em>. The exhibition included sculptures by Lynda Benglis, John Chamberlain, Joel Fisher, Robert Therrien, and Mel Kendrick. With 100 exhibitions, 135 artworks produced, 1,200 works consisting of more than 18,000 objects, the following 36 years not only fulfilled the original mandate, but went on to create an essential dynamic between fantastic artworks, curatorial excellence, unforgettable exhibitions, an example of creating a collection that exposes the curiosity and soul of an institution, and a public that benefitted from it all.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n \n
\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

David Neuman in front of works by John Chamberlain, 1988. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Five American Artists, 1988. Photo: Lennart Durehed.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Walter De Maria, 1988. Photo: Lennart Durehed.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Fred Sandback during installation of his solo exhibition in 1991. Photo: Neil Goldstein.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Alfred Leslie, 1991. Photo: Neil Goldstein.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Felix Gonzalez-Torres, 1992\u20131993. Photo: Neil Goldstein.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Agnes Martin, 1994. Photo: Neil Goldstein.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation of James Turrell’s work Dawning, 1994.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Georg Baselitz and David Neuman. Photo: Max Fredrikson.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Baselitz + Hill, 1995. Photo: Neil Goldstein.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation of the solo exhibition with Antony Gormley, 1996.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Gilbert & George outside Magasin 3 Stockholm Konsthall in conjunction with their solo exhibition, 1997. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n <\/section>\n\n

\n
\"Previous\"<\/div>\n
\"Next\"<\/div>\n <\/div>\n\n \n\n\n\n\n
<\/div>\n\n\n\n
\n
\n

To bring James Turrell\u2019s magical works, and Dawning <\/em>permanently installed for the next three decades (where many relationships were loved and lost), was a constant reminder of the power and metamorphosis art and we have as individuals. To have experienced Santiago Sierra\u2019s performance piece of 18 wheelers slowly rolling through a deserted parking lot only to be met head-on by a young woman, gave a new meaning to what art could be. And who could forget Gilbert & George, being Gilbert & George, by deciding their Shit & Piss<\/em> exhibition would be perfect to shake up a staid Sweden. There was Pipilotti Rist, a visual, audio and tactile experience that gave everything to all the senses.<\/p>\n<\/div>\n\n\n\n

\n

Christian Boltanski, who filled the spaces with \u201cghosts\u201d of past and present, began his \u201cheart archive\u201d in Stockholm, later to find its forever home on an island in Japan. Tom Friedman\u2019s work Up in the Air<\/em>, hanging from the ceiling of the entire lower floor,strained the neck in search of familiarity and hilarity while repeatedly enforcing the premise, \u201cthis is wonderful art\u201d. There was Georg Baselitz\u2019s evocative exhibition in conjunction with the historical work of Carl Fredrik Hill, and Chris Burden\u2019s beloved bridges and B-car remain in the collection along with works by Katharina Grosse, Tony Oursler and Alfredo Jaar.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n \n
\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Pipilotti Rist \u2013 Gravity, Be My Friend, 2007. Photo: Johan Warden.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation of the exhibition Pipilotti Rist \u2013 Gravity, Be My Friend, 2007. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Leonard Forslund during installation of his solo exhibition at Magasin 3 Stockholm Konsthall, 1990.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Janine Antoni’s Moor (2001\u20132018) partly installed outside during the exhibition Free Port, 2001. Photo: Anna Kleberg. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Ay\u015fe Erkmen \u2013 Tidvatten, 2003\u20132004. Photo: Andrzej Markiewicz.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Fabrice Gygi, 2006. Photo: Mattias Givell.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Kimsooja during installation of the solo exhibition, 2006.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Matti Kallioinen’s work The Beautiful Robot (pavillion), 2007, during the group exhibition To be continued\u2026, 2007. Photo: Martin Runeborg..<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Santiago Sierra, PERSON OBSTRUCTING A LINE OF CONTAINERS, Kaj 3 Frihamnen, Stockholm, Sweden. February 2009, 2009. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Truls Melin, Mentalt s\u00e4llskap, 2009. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Performance by Tal R and MoonspoonSaloon in connection with Tal R’s exhibition Old Confused, 2009. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Annika von Hausswolff with David Neuman and technician Christopher Garney during installation of her exhibition in 2008.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

James Turrell, Dawning, 1992. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Chris Burden, 2012\u20132013. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Chris Burden in connection with a lecture at Bio Rio, 2013.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Lars Nilsson, 2002. Photo: Jan Engsmar.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Katharina Grosse during installation of her solo exhibition Infinite Logic Conference, 2004. Photo: Mattias Givell. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Zidane \u2013 A 21st Century Portrait, 2008. Photo: Martin Runeborg.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Christian Boltanski during installation of his solo exhibition Les archives, 2008. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Tom Friedman \u2013 Up in the Air, 2010. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation of the exhibition Thrice upon a time, 2010. Photo: JH Engstr\u00f6m.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation of the exhibition Thrice upon a time, 2010. Photo: JH Engstr\u00f6m.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Andrea Zittel \u2013 Lay of My Land, 2011. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Katharina Grosse’s Untitled (2014) installed at Nybroplan, Stockholm, as part of the exhibition wizz eyelashes, 2014. Photo: Christian Saltas. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Ai Weiwei with the staff of Magasin III, 2015. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Jake Chapman during installation of the exhibition The Nature of Particles, 2016.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, The Nature of Particles, 2016. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During installation, 2016.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Markus Schinwald, 2015. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

“Stage Complex”, a dance performance by dancers from the Royal Swedish Ballet in connection with Markus Schinwald’s solo exhibition, 2015. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Christine \u00d6dlund \u2013 Aether & Einstein, 2016. Photo: Christian Saltas.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n <\/section>\n\n

\n
\"Previous\"<\/div>\n
\"Next\"<\/div>\n <\/div>\n\n \n\n\n\n\n
<\/div>\n\n\n\n
\n
\n

Interspersed with solo presentations were a number of thematic group exhibitions. Allowing different attitudes, voices, and expressions to interact on the same platform. A vast number of historical and contemporary works could be seen during the The Drawing Room<\/em>, Like A Prayer<\/em>, I\u2019m Still Here<\/em>, Otherworldly\u2026<\/em><\/p>\n\n\n\n

The invitation to a group of international curators to be a part of Magasin III\u2019s ongoing process of exploration created memorable exhibitions:  Here Comes the Sun<\/em> by Daniel Birnbaum, Rosa Mart\u00ednez, J\u00e9r\u00f4me Sans, and Sarit Shapira; Fleeing away from what bothers you most <\/em>with Israeli and Palestinian artists by Sarit Shapira, Paul Chan<\/em> by Daniel Birnbaum, amongst others.<\/p>\n\n\n\n

To foster Scandinavian art and artists became a simultaneous goal during these years. Introductions to and career launching exhibitions was constantly on the radar; Leonard Forslund, Per Kirkeby, Tal R, Lars Nilsson, Gunnel W\u00e5hlstrand, Matts Leiderstam, and Annika Elisabeth von Hausswolff, the list goes on.

<\/p>\n<\/div>\n\n\n\n

\n

All the above are just to name a very few of the provocative, consoling and consuming exhibitions Magasin III has produced over the years.<\/p>\n\n\n\n

Magasin III\u2019s vast collection has had the privilege to loan works to institutions in Scandinavia as well as major exhibitions staged by some of the leading global art institutions and international biennales. As a resource, the collection has also provided research material for academic institutions on a regular basis, creating a standard for curatorial and art historical practice. Magasin III recognized early on the importance of archival records, texts by art historians, critics, writers, and illustrated catalogues to document the many exhibitions held in the Freeport.<\/p>\n\n\n\n

In 2002, Magasin III created the experimental satellite Magasin 3 Projekt Djurg\u00e5rdsbrunn in the Royal National City Park with a combination of art, nature, design, technology, and food. The project was active for the four following summer seasons.
<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n \n
\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Tony Oursler’s The Influence Machine (2002) at Projekt Djurg\u00e5rdsbrunn, 2002. Photo: Mattias Givell. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Uglycute, Interior for Djurg\u00e5rdsbrunn, 2002.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Magasin III Jaffa, Tel Aviv, Israel. Photo: Noam Preisman. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Sheila Hicks \u2013 Migdalor, Magasin III Jaffa, 2018\u20132019. Photo: Noam Preisman.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, David Adika \u2013 Of David. A psalm, Magasin III Jaffa, 2022\u20132023. Photo: Noam Preisman.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Accelerator, Stockholm University. Photo: Christian Saltas. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n <\/section>\n\n

\n
\"Previous\"<\/div>\n
\"Next\"<\/div>\n <\/div>\n\n \n\n\n\n\n
<\/div>\n\n\n\n
\n
\n

In 2018, Magasin III Jaffa, municipality Tel Aviv, Israel, was inaugurated. Centrally located near the Flea market, the exhibition space has the luxury of being available to the public 24\/7, by its front and back glass walls, and exhibitions are curated with this aspect as additional factor, allowing in inexperienced or inhibited local public to understand and benefit from the power of art over an extended period. There international and local artists have exhibited in specifically curated shows; Haim Steinbach, Sheila Hicks, Cosima von Bonin, Polly Apfelbaum, Maya Attoun, David Adika\u2026 Magasin III Jaffa Books has joined the exhibition space in a collaboration of smaller exhibitions and as a showplace for artists\u2019 books. Both spaces continue their operations today.<\/p>\n\n\n\n

Magasin III has played a major role in the establishment of the Master\u2019s educational degree at Stockholm University\u2019s Curating Art, <\/em>established in 2003. Thereafter David Neuman along with Margaretha Thomson have been the major initiators of the exhibition space Accelerator, an integral part of the university\u2019s cultural programming.<\/p>\n<\/div>\n\n\n\n

\n

In 2017 Magasin III embraced an intermission period where serious analysis regarding future programming was assessed. This inevitably led to an increased focus on higher education art students and giving them access to the inner workings of the institution. Please read further under our archive page.<\/p>\n\n\n\n

Throughout the years Magasin III has been generously and solely supported by Robert Weil and Proventus AB. The Robert Weil Family Foundation is a major supporter of Accelerator, and acts as an umbrella for the distribution of financial support to many cultural and political endeavors.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n \n
\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Artist talk with Tal R in connection with his solo presentation in 2021. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Dimen Abdulla gives a reading of a text with the act of falling as a starting point, in connection with Tal R’s solo presentation in 2021. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Workspace for the collection. Photo: Patrik Lindell. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

During a tour of the workspace for the collection, 2020.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Works by Carl Hammoud in the library of Magasin III Museum for Contemporary Art, 2021\u20132022. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Oscar Guermouche, The Fireman, 2020. Magasin III Production. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Lecture by Mona Hatoum in conjunction with her solo exhibition Revisit, 2022. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Elective Affinities, 2022\u20132023. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Jill Magid’s Auto Portrait Pending (2005), installed in the exhibition Chris Burden \u2013 Deluxe Photo Book 1971\u201373. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Lucia Pizzani prepares for her performance work in the exhibition by Maya Attoun, 2023. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Remains of a performance by Lucia Pizzani in the exhibition by Maya Attoun, 2023. Photo: Gabriel Leigh. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Fatima Moallim in connection with her performance work Markeringar in the reference library of Magasin III. Photo: Jean-Baptiste B\u00e9ranger. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Workshop with students from Nyckelviksskolan in the group exhibition Skin of the Soul, October, 2023. <\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Skin of the Soul, 2023\u20132024. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Sirous Namazi \u2013 Pending, 2023\u20132024. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n

\n \n\n \n \n \n \n \n \"magasin3.com\"\n <\/picture>\n\n \n \n

Installation view, Pawe\u0142 Althamer \u2013 Emissaries of Light, 2024. Photo: Jean-Baptiste B\u00e9ranger.<\/p>\n <\/span>\n \n \n <\/div>\n\n \n <\/section>\n\n

\n
\"Previous\"<\/div>\n
\"Next\"<\/div>\n <\/div>\n\n \n\n","protected":false},"excerpt":{"rendered":"

A brief history In the summer of 1986, lying on a backyard lawn in Montauk, New York, David Neuman and Robert Weil discussed the excitement and energy of the Soho art scene. Great art created …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":100359,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"98788,98778,98774,98799,98772,77102","_relevanssi_noindex_reason":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-100364","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nHistory of Magasin III - Magasin III<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"History of Magasin III - Magasin III\" \/>\n<meta property=\"og:description\" content=\"A brief history In the summer of 1986, lying on a backyard lawn in Montauk, New York, David Neuman and Robert Weil discussed the excitement and energy of the Soho art scene. Great art created ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/\" \/>\n<meta property=\"og:site_name\" content=\"Magasin III\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-26T13:50:06+00:00\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"History of Magasin III - Magasin III","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/","og_locale":"en_US","og_type":"article","og_title":"History of Magasin III - Magasin III","og_description":"A brief history In the summer of 1986, lying on a backyard lawn in Montauk, New York, David Neuman and Robert Weil discussed the excitement and energy of the Soho art scene. Great art created ...","og_url":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/","og_site_name":"Magasin III","article_modified_time":"2024-11-26T13:50:06+00:00","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/","url":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/","name":"History of Magasin III - Magasin III","isPartOf":{"@id":"https:\/\/www.magasin3.com\/en\/#website"},"datePublished":"2024-07-04T10:36:35+00:00","dateModified":"2024-11-26T13:50:06+00:00","breadcrumb":{"@id":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/magasin3.com\/en\/stockholm\/archive\/story-about-magasin-iii\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Hem","item":"https:\/\/magasin3.com\/en\/"},{"@type":"ListItem","position":2,"name":"Magasin III Stockholm","item":"https:\/\/magasin3.com\/en\/"},{"@type":"ListItem","position":3,"name":"Archive","item":"https:\/\/magasin3.com\/en\/stockholm\/archive\/"},{"@type":"ListItem","position":4,"name":"History of Magasin III"}]},{"@type":"WebSite","@id":"https:\/\/www.magasin3.com\/en\/#website","url":"https:\/\/www.magasin3.com\/en\/","name":"Magasin III","description":"Museum for Contemporary Art","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.magasin3.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/pages\/100364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/comments?post=100364"}],"version-history":[{"count":149,"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/pages\/100364\/revisions"}],"predecessor-version":[{"id":150747,"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/pages\/100364\/revisions\/150747"}],"up":[{"embeddable":true,"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/pages\/100359"}],"wp:attachment":[{"href":"https:\/\/magasin3.com\/en\/wp-json\/wp\/v2\/media?parent=100364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}