CONTENTS:<\/p>\n\n\n\n
Foreword by Uwe M. Schneede<\/strong> and Christoph Heinrich<\/strong> (Hamburger Kunsthalle), Dieter Ronte<\/strong> and Volker Adolphs<\/strong> (Kunstmuseum Bonn), and David Neuman<\/strong> and Richard Julin<\/strong> (Magasin 3 Stockholm Konsthall) Published in conjunction with the exhibition Mona Hatoum<\/em> at Hamburger Kunsthalle, Kunstmuseum Bonn, and Magasin 3 Stockholm Konsthall<\/p>\n\n\n\n No of pages:<\/strong><\/strong> 143, color, illustrated Language:<\/strong> English EXCERPT:<\/p>\n\n\n\n Foreword by Uwe M. Schneede, Christoph Heinrich, Dieter Ronte, Volker Adoplhs, David Neuman and Richard Julin<\/p>\n\n\n\n Life on the move, away from her home country, has made Mona Hatoum sensitive to matters pertaining to power relationships and questions of identity. She was born in Lebanon in 1952, the daughter of Palestinian parents, and has been living in London since 1975. In her sculpture, video and installation work she repeatedly addresses the vulnerability of the individual in relation to the violence inherent in institutional power structures. Her primary point of reference is the human body, sometimes using her own body \u2013 not only in her performances, but also in her video works and installations.<\/p>\n\n\n\n The relationship between artwork and viewer is constantly the subject of reflection in Hatoum\u2019s oeuvre. This theme is already present in her early performances, which are the focus of particular attention in this publication. Hatoum\u2019s performances, especially between 1980 and 1988, exhibit a wide repertory of ideas and forms which act as a precursor to her later sculptures and installations. We gradually follow the direction of the path from the ephemeral aspect of the performance work to video and permanent installations. This book is the first to offer a comprehensive catalogue of her performance work.<\/p>\n<\/div>\n\n\n\n Since the early nineties, Hatoum has been producing large installations which succeed in arousing in the viewer contradictory feelings of attraction and repulsion, fear and fascination. Light Sentence<\/em>, Corps \u00e9tranger<\/em>, Quarters<\/em>, Home<\/em> and Homebound<\/em> are some of her most ambitious installations and are included in this exhibition. These key works combine performative and interactive approaches of her early years with a formal language that derives its vocabulary from minimalist sculpture and Conceptual Art, which at the same time is charged with personal and political content.<\/p>\n\n\n\n Mona Hatoum commits herself totally and literally to her art. Her choice of particular materials is arrived at in relation to the content, and the range of materials she uses would appear to be completely inexhaustible: steel and plastic, textiles and soap, electricity and magnetism, found household utensils and disposable items, glass and rubber\u2026 Hatoum thus fashions an artistic language in which familiar everyday commodities are transformed into strange and threatening devices. This survey exhibition of Hatoum\u2019s work takes this diversity into account. (\u2026)<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":100632,"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"77089,98168,98783,71197,98780,98759","_relevanssi_noindex_reason":"","_links_to":"","_links_to_target":""},"class_list":["post-20756","m3_publication","type-m3_publication","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
Being Involved<\/em>, essay by Ursula Panhans-B\u00fchler<\/strong>
The Body and the World<\/em>, essay by Volker Adolphs<\/strong>, Curator Kunstmuseum Bonn
Epiphanies of the Everyday \u2013 Materiality and Meaning in Mona Hatoum\u2019s Work<\/em>, essay by Nina Zimmer<\/strong>, Junior Curator Hamburger Kunsthalle
Notes on Hair<\/em>, essay by Richard Julin<\/strong>, Senior Curator Magasin 3 Stockholm Konsthall, and Elisabeth Millqvist<\/strong>, Curator Magasin 3 Stockholm Konsthall
Artist at Work: An Annotated Catalogue Raisonn\u00e9 of the Performances<\/em>, by Christoph Heinrich<\/strong>, Curator Hamburger Kunsthalle<\/p>\n\n\n\n
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Binding<\/strong>: <\/strong><\/strong>hard cover
Graphic design:<\/strong> Michael Sauer
<\/p>\n<\/div>\n\n\n\n
Year: <\/strong>2004
Publisher<\/strong>: <\/strong>Hatje Cantz
ISBN:<\/strong> 3-7757-1444-8<\/p>\n<\/div>\n<\/div>\n\n\n\n
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