{"id":18162,"date":"2014-09-01T21:53:36","date_gmt":"2014-09-01T19:53:36","guid":{"rendered":"https:\/\/magasin3.com\/?post_type=m3_event&p=18162"},"modified":"2014-09-01T21:54:29","modified_gmt":"2014-09-01T19:54:29","slug":"lecture-by-anne-karpf","status":"publish","type":"m3_event","link":"https:\/\/magasin3.com\/en\/event\/lecture-by-anne-karpf\/","title":{"rendered":"Lecture by Anne Karpf"},"content":{"rendered":"

Bellowed Endearments and Echoes of Resistance: How the Voice Bonds and Unbinds in Smadar Dreyfus’ “Mother’s Day”<\/em><\/p>\n

In Dreyfus’s compelling installation the voice refuses to be pinned down. At once intensely personal and resolutely collective, a marker of intimacy and a site of resistance, the shouted exchanges of mothers and children separated by the Israeli-Syrian ceasefire line on the Golan Heights speak of both a specific context – Druze families divided by the occupation of the Heights; Middle Eastern women’s use of the voice to declaim and lament – and more universal ones: the voice as connective tissue between mothers and children; the multiple registers that co-exist in vocal interchange. Disembodied voices, unsynchronised interchanges: Dreyfus forms them into an eloquent work about dislocation, silence and liminal communication.<\/p>\n

Anne Karpf is a writer and sociologist. Her books include the family memoir The War After: Living with the Holocaust<\/em> (Faber Finds) and The Human Voice: The Story of a Remarkable Talent <\/em>(Bloomsbury). She writes on social and cultural affairs for The Guardian, broadcasts regularly for the BBC, and is co-editor of A Time to Speak Out: Israel, Zionism and Jewish identity<\/em> (Verso). She teaches at London Metropolitan University.<\/p>\n","protected":false},"featured_media":15815,"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_links_to":"","_links_to_target":""},"class_list":["post-18162","m3_event","type-m3_event","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nLecture by Anne Karpf - Magasin III<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/magasin3.com\/en\/event\/lecture-by-anne-karpf\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lecture by Anne Karpf - Magasin III\" \/>\n<meta property=\"og:description\" content=\"Bellowed Endearments and Echoes of Resistance: How the Voice Bonds and Unbinds in Smadar Dreyfus’ “Mother’s Day” In Dreyfus’s compelling installation the voice refuses to be pinned down. 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